This is a snippet from the chapter on sigil magic in my work in progress, the Celtic Sorcery book. The full draft chapter was shared with patrons last month – I’ll be continuing to post excerpts from the work in progress here. It’s in rough unedited form, so reader beware.
A sigil is a sign or symbol considered to have magical power. Typically, in contemporary traditions they are used in conjunction with ritual to invoke or evoke a spirit, power, or effect. The name is from Latin sigillum, “seal”, and comes into English language usage by way of Western ceremonialist occultism, rooted in medieval grimoire traditions which made heavy use of Latin texts. However, sigils in the sense of magic signs used in magical operations, have appeared in many cultures and for thousands of years.
Most contemporary occultist and even pagan approaches to the construction and use of sigils are heavily influenced by ceremonialist methods, reflecting the same medieval grimoire roots just mentioned. A method with wide currency in contemporary occultist and pagan circles is to write a name or magical phrase, reduce it by the elimination of duplicate letters and/or the use of numerology, and then combine the reduced group of letters into a sigil so that they are no longer readable as distinct letters. Many practitioners using this method might not know to credit Austin Osman Spare, the early 20th Century British occultist; but this method of reducing a name or incantation to “occult” it was devised by him. This approach to the making of sigils is based in a very modernist, psychological understanding of magic as driven by will and intention; the “occultation” or disguising of the inscription is understood to shift awareness of the intention from the conscious mind to the subconscious, where it more directly and primally engages the magician’s will.
As an animist, I understand sigils not just as symbols, but as condensed magical engines animated with a spirit of their own. Like any organism, they are comprised of interconnected parts working as one whole being. Also like an organism, they live and act on different scales or levels, from their interwoven internal components to the whole.
There are three (or at least three!) levels of action in sigils, each of which may represent a distinct spirit or set of spirits we are working with. Here I describe them in sequence from the micro or component level to the macro or the level of the sigil as a whole.
At the root level, there are the powers or presences of the individual component parts – the letters or signs we bring together to construct the sigil. It is not the habit of most Westerners to see distinct powers within the individual letters of the Roman alphabet, for example. However, in a great many other cultural contexts, the individual letters or signs in the alphabet or lexicon often do represent distinct spirits or powers in their own right. This is certainly the case for the Germanic/Norse runes, for the Irish ogham, and many others. Whether or not they were seen to have these powers in their original historical context, they certainly do now after generations of modern practitioners working with them in a spiritual capacity. When we come to constructing a sigil, we are weaving each of these component powers into the whole – like parts in an engine or organs in a body, their individual powers are focused into the working of the whole.
At the next level, a sigil may take its power from the word, name or phrase it is built to convey. This may not be the case for all sigils, of course. Some may be built by selecting individual letters or runes and weaving them directly into a shape without consideration for what they spell together. The conventional Western occultist mode of sigil creation begins at this level with the written intention. For a devotional sigil, it might be the name of the being it is meant to invoke. For an operational magic sigil, it might be a word of power or a magical phrase or incantation.
The third level is the shape given to the sigil as a whole – the pattern into which its component parts are bound together. In my approach to sigil creation, this level is crucial. It’s here that the dynamics that power the sigil are generated based on the shape and form it is given. That is to say, it’s not just about sticking the component parts together any kind of way. To act as a symbol, it needs to have both visual and emotional impact on the person using it and any others who see it, and its visible shape needs to conjure its intended meaning and impact. To act as a magical engine, it needs to have its parts bound together into a structure that allows it to move and shape spiritual forces in a given way. What do we want it to be able to do, and what structure will help it do that? The way in which it is built and the shape that it takes will determine how it in turn shapes and moves spiritual forces.
What do you think about sigil magic? Leave a comment or join the conversation in our Discord community.